As Roméo in Roméo et Juliette:

"Kevin Anderson, a tenor whose considerable experience belies his youth, became a lyric tenor for real in Act III. His phrasing was appealing, his style and manner pleasing and his tone producing a clear, forward ring from the mid-range to the top." 

           - San Francisco Chronicle

"Kevin Anderson made a handsome young Roméo, his line was good, his high register prodigious." 

          - Opera News

"Tenor Kevin Anderson as Roméo acted with grace and sang with commitment in a series of magical encounters." 

          - Opera News

"...the gracefully acted and fervently sung Roméo of  Kevin Anderson." 

          - Opera Magazine

As Sam Kaplan in Street Scene:

"The lean, quicksilver Sam of Kevin Anderson deserves a column of close-focused praise, and his quietly reflective 'Lonely House' is a high point." 

          - The Financial Times of London

"Completing this remarkable quartet was the young American tenor Kevin Anderson, infinitely touching as Sam. The simplicity and truth of his performance shone through strongly." 

          - The Evening Standard(London) 

"The American tenor Kevin Anderson makes an impressive British debut as Rose's studious would-be lover Sam." 

          - The Sunday Telegraph(London) 

"Kevin Anderson's light tenor is tailor-made for her bookish Jewish admirer, Sam." 

          - The Times(London) 

"Sam was intelligently sung by American tenor Kevin Anderson." 

          - The Wall Street Journal

"Kevin Anderson is again an affecting Sam Kaplan, his youthful tenor bringing ardour and impetuosity to the vocal line." 

          - The Stage (UK) 

"Kevin Anderson is a sensitively lovesick Sam." 

          - The Lady (UK) 

"The admirable Kevin Anderson is a personable, free-voiced tenor." 

          - Time Out (UK)

"Kevin Anderson as Sam Kaplan contributed a singular quality to the performance through his singing and acting. In particular, Mr. Anderson kept Sam's morose character, which can border on the hysterical, within the realm of credibility." 

          - Kurt Weill Newsletter

"Kevin Anderson and Sheryl Woods made all the right notes and moves as the lovers Sam Kaplan and Rose Maurrant." 

          - New York Daily News

As Paris in La Belle Hélène:

"Kevin Anderson comes from America, he has a virile, fluent tenor voice with a vivid upper register and in his ripped denims and leather jacket he looks like James Dean set to music." 

          - The Cape Town Sunday Times

As Henrik in A Little Night Music:

"Kevin Anderson as Henrik is a real find as a singer and actor, and looks if anything too good." 

          - New York Magazine

"Kevin Anderson's fine tenor shone through as the disillusioned Henrik." 

          - The New York Post

"A true operatic tenor from the company, Kevin Anderson again demonstrated that he is a versatile perfomer with strong acting ability and an attractive voice." 

          - Opera Monthly

As Nanki-Poo in The Mikado:

"Memorable offerings come from Kevin Anderson as the love struck Nanki-Poo." 

           - The Edmonton Sun

"As the romantic lead Nanki-Poo, American Kevin Anderson showed off a crystal clear, open tenor which soared on the high notes." 

          - The Edmonton Journal

As Nemorino in L'elisir d'amore:

"The best voice easily belonged to Nemorino, tenor Kevin Anderson, memorable as much for his lovely voice as his considerable acting skill." 

          - The Palm Springs Desert Sun